вторник, 22 апреля 2014 г.

Theatre. Chapter 14.

1) on one excuse and another – под одним или другим предлогом
to confess to oneself – признаться самому себе
that was all to the good – это все было к лучшему
shrewd – проницательный
vanity – тщеславие
to have an affair with smb. – иметь роман с кем-то
sallow – болезненный
to feel compassion for smb. – чувствовать сострадание к кому-либо
eminent persons – видный деятель
to lay no claims on sb. – не иметь никаких претензий по поводу кого-либо
to use all her arts of cajolery – призывать все свое искусство обольщения
stale food – несвежая еда
to overcome one's scruples – преодолеть сомнения
to have no inclination – не иметь склонности,
a man of the world – светский человек
she was modest about herself – она была скромного о себе мнения
a smack in the face – прямо в лицо
sulkily – угрюмо
Julia's heart was wrung – сердце Джулии сжалось
chivalrous courtesy – рыцарская учтивость, любезность
a vile disposition – подлый/ужасный нрав
alacrity – готовность
wistful – задумчивый
 to act with great naturalness – изображать с большой естественностью
she was in a black rage – она была в черной ярости
she'd get even with him – она с ним поквитается
to rack one's brains –ломать голову над чем-либо.

2) 1. Julia loved Tom, she felt a strange compassion for him. Though he laughed when Julia said a funny thing he never said one himself. She found his dullness restful. However, the woman knew that Tom was’t in love with her. To have an affair with her flattered his vanity.
2. Tom was twenty-two, he was five years elder Julia’s son. Nevertheless, he was a highly-sexed young man and enjoyed sexual exercise. From hints, from stories that she had dragged out of him, she discovered that since he was seventeen he had had a great many women. He loved the act rather than the person. He looked upon it as the greatest lark in the world. And she could understand why he had so much success. There was something appealing in his slightness, his body was just skin and bone, that was why his clothes sat on him so well, and something charming in his clean freshness. His shyness and his effrontery combined to make him irresistible. It was strangely flattering for a woman to be treated as a little bit of fluff* that you just tumbled on to a bed.
3. Roger was seventeen. He was a nice-looking boy, with reddish hair and blue eyes, but that was the best you could say of him. He had neither his mother's vivacity and changing expression nor his father's beauty of feature. Julia was somewhat disappointed in him. As a child when she had been so constantly photographed with him he was lovely. He was rather stolid and he had a serious look. His only good features were his teeth and his hair, while his figure was rather lumpy. Roger led his own life. Thus once he told Julia that he desired to leave Eton at Christmas, he thought he had got everything out of it that he could, and he wanted to go to Vienna for a few months and learn German before going up to Cambridge. And speaking about his future, the young man didn’t know what he wanted to be (though his mother worried about it, as she thought he would be a priest), but he definitely didn’t want to go on the stage.
4. Once the family decided to spend their weekend in Taplow, where Michael had taken a house, and Julia invited Tom just to be near him. And there Tom became close friends with her seventeen year old son, Roger, as they spent all their time together
5. She had not the world-wide notoriety of the film-stars; she had tried her luck on the pictures, but had achieved no success; her face on the stage so mobile and expressive for some reason lost on the screen, and after one trial she had with Michael's approval refused to accept any of the offers that were from time to time made her. She had got a good deal of useful publicity out of her dignified attitude. But Julia did not envy the film-stars; they came and went; she stayed. When it was possible she went to see the performance of actresses who played leading parts on the London stage. She was generous in her praise of them and her praise was sincere.
6. Julia was not aware that she deliberately observed people, but when she came to study a new part vague recollections surged up in her from she knew not where, and she found that she knew things about the character she was to represent that she had had no inkling of. It helped her to think of someone she knew or even someone she had seen in the street or at a party; she combined with this recollection her own personality, and thus built up a character founded on fact but enriched with her experience, her knowledge of technique and her amazing magnetism. People thought that she only acted during the two or three hours she was on the stage; they did not know that the character she was playing dwelt in the back of her mind all day long, when she was talking to others with all the appearance of attention, or in whatever business she was engaged.
7.The young man didn’t notice Julia as his lover, what hurt her, and for what she decided to take revenge on him. Her revenge was refined: knowing how to hurt his feelings, she reminded him to leave the maid tips, leaving the money in the envelope.

3) - sweet with his blue eyes and pale brown hair
- a white skin and rather a high colour
- lips were soft and there was a perfume of youth about him which was really rather delightful
- There was smth. charming in his clean freshness
- Very commonplace
- Young, fresh and ingenuous
- He was so deceitful

4) She read his mind like an open book. – it means she understands him perfectly
Sometimes she felt like God. – she felt that  everything was in her powers
She shook off the obsession of him like a bad dream from which one awoke – she fell out of love with him
He reminded Julia of an old dog lying in the sun and gently beating his tail on the ground as he looked at a pair of puppies gambolling about him.

5) The author uses metaphors like poor lamb, sweet little thing, poor little thing, silly little fool to show Julia’s attitude to the man she was thinking about (Tom).
There is inner speech like “Gosh, I’m going down like a barrel of oysters.” "Bloody fool, bloody fool" by means of which we can understand Julia’s true feelings and reactions.

6) In some time, with horror she understands that she has desperately fallen in love.Without showing her feelings to Tom, she tries to bind him to herself. The actress knows he is a snob, so she lets him enter the high society. Tom is really poor, that’s why she showers him with expensive gifts and pays off his debts. Julia forgets about her age, but on vacation Tom so obviously and naturally prefers to spend his time with her son, Roger, that it really hurts her. Julia has an argument with Tom, but she is so afraid to lose him that finally she does everything to make it up.

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