вторник, 22 апреля 2014 г.

Theatre. Chapter 14.

1) on one excuse and another – под одним или другим предлогом
to confess to oneself – признаться самому себе
that was all to the good – это все было к лучшему
shrewd – проницательный
vanity – тщеславие
to have an affair with smb. – иметь роман с кем-то
sallow – болезненный
to feel compassion for smb. – чувствовать сострадание к кому-либо
eminent persons – видный деятель
to lay no claims on sb. – не иметь никаких претензий по поводу кого-либо
to use all her arts of cajolery – призывать все свое искусство обольщения
stale food – несвежая еда
to overcome one's scruples – преодолеть сомнения
to have no inclination – не иметь склонности,
a man of the world – светский человек
she was modest about herself – она была скромного о себе мнения
a smack in the face – прямо в лицо
sulkily – угрюмо
Julia's heart was wrung – сердце Джулии сжалось
chivalrous courtesy – рыцарская учтивость, любезность
a vile disposition – подлый/ужасный нрав
alacrity – готовность
wistful – задумчивый
 to act with great naturalness – изображать с большой естественностью
she was in a black rage – она была в черной ярости
she'd get even with him – она с ним поквитается
to rack one's brains –ломать голову над чем-либо.

2) 1. Julia loved Tom, she felt a strange compassion for him. Though he laughed when Julia said a funny thing he never said one himself. She found his dullness restful. However, the woman knew that Tom was’t in love with her. To have an affair with her flattered his vanity.
2. Tom was twenty-two, he was five years elder Julia’s son. Nevertheless, he was a highly-sexed young man and enjoyed sexual exercise. From hints, from stories that she had dragged out of him, she discovered that since he was seventeen he had had a great many women. He loved the act rather than the person. He looked upon it as the greatest lark in the world. And she could understand why he had so much success. There was something appealing in his slightness, his body was just skin and bone, that was why his clothes sat on him so well, and something charming in his clean freshness. His shyness and his effrontery combined to make him irresistible. It was strangely flattering for a woman to be treated as a little bit of fluff* that you just tumbled on to a bed.
3. Roger was seventeen. He was a nice-looking boy, with reddish hair and blue eyes, but that was the best you could say of him. He had neither his mother's vivacity and changing expression nor his father's beauty of feature. Julia was somewhat disappointed in him. As a child when she had been so constantly photographed with him he was lovely. He was rather stolid and he had a serious look. His only good features were his teeth and his hair, while his figure was rather lumpy. Roger led his own life. Thus once he told Julia that he desired to leave Eton at Christmas, he thought he had got everything out of it that he could, and he wanted to go to Vienna for a few months and learn German before going up to Cambridge. And speaking about his future, the young man didn’t know what he wanted to be (though his mother worried about it, as she thought he would be a priest), but he definitely didn’t want to go on the stage.
4. Once the family decided to spend their weekend in Taplow, where Michael had taken a house, and Julia invited Tom just to be near him. And there Tom became close friends with her seventeen year old son, Roger, as they spent all their time together
5. She had not the world-wide notoriety of the film-stars; she had tried her luck on the pictures, but had achieved no success; her face on the stage so mobile and expressive for some reason lost on the screen, and after one trial she had with Michael's approval refused to accept any of the offers that were from time to time made her. She had got a good deal of useful publicity out of her dignified attitude. But Julia did not envy the film-stars; they came and went; she stayed. When it was possible she went to see the performance of actresses who played leading parts on the London stage. She was generous in her praise of them and her praise was sincere.
6. Julia was not aware that she deliberately observed people, but when she came to study a new part vague recollections surged up in her from she knew not where, and she found that she knew things about the character she was to represent that she had had no inkling of. It helped her to think of someone she knew or even someone she had seen in the street or at a party; she combined with this recollection her own personality, and thus built up a character founded on fact but enriched with her experience, her knowledge of technique and her amazing magnetism. People thought that she only acted during the two or three hours she was on the stage; they did not know that the character she was playing dwelt in the back of her mind all day long, when she was talking to others with all the appearance of attention, or in whatever business she was engaged.
7.The young man didn’t notice Julia as his lover, what hurt her, and for what she decided to take revenge on him. Her revenge was refined: knowing how to hurt his feelings, she reminded him to leave the maid tips, leaving the money in the envelope.

3) - sweet with his blue eyes and pale brown hair
- a white skin and rather a high colour
- lips were soft and there was a perfume of youth about him which was really rather delightful
- There was smth. charming in his clean freshness
- Very commonplace
- Young, fresh and ingenuous
- He was so deceitful

4) She read his mind like an open book. – it means she understands him perfectly
Sometimes she felt like God. – she felt that  everything was in her powers
She shook off the obsession of him like a bad dream from which one awoke – she fell out of love with him
He reminded Julia of an old dog lying in the sun and gently beating his tail on the ground as he looked at a pair of puppies gambolling about him.

5) The author uses metaphors like poor lamb, sweet little thing, poor little thing, silly little fool to show Julia’s attitude to the man she was thinking about (Tom).
There is inner speech like “Gosh, I’m going down like a barrel of oysters.” "Bloody fool, bloody fool" by means of which we can understand Julia’s true feelings and reactions.

6) In some time, with horror she understands that she has desperately fallen in love.Without showing her feelings to Tom, she tries to bind him to herself. The actress knows he is a snob, so she lets him enter the high society. Tom is really poor, that’s why she showers him with expensive gifts and pays off his debts. Julia forgets about her age, but on vacation Tom so obviously and naturally prefers to spend his time with her son, Roger, that it really hurts her. Julia has an argument with Tom, but she is so afraid to lose him that finally she does everything to make it up.

воскресенье, 13 апреля 2014 г.

Theatre: Chapter


1) Aprofound contempt – глубокое презрение
To have first nights – играть в премьере
To be exemplary – быть примерным
A pattern of conjugal fidelity – образец супружеской верности
To separate – отделяться, разделять
Be ingenuous – быть простодушным
To cry almost at will – плакать почти по желанию
Common sense – здравый смысл
To elope with sb. – сбежать с кем-то
Preposterous – нелепый, абсурдный
Curtain calls – вызовы актера
Prudish – ханжеский, не в меру стыдливый
In for a penny, in for a pound - назвался груздем - полезай в кузов
This was all a put-up job – это была чистой воды махинация
Indecent - неприличный
In a flash – в мгновение ока
To take liberties with sb. - позволять себе вольности с кем-либо (по отношению к кому-либо)
A matinee – утренняя пора
Amiably – любезность, доброжелательность
Well-chosen words – хорошо отобранный слова
To have no sequel – не иметь продолжения
To erase the episode from her memory – стереть этот эпизод из памяти
Pleasant reveries sauntered through her mind – приятные грезы блуждали по ее разуму
Hectic flush – лихорадочный румянец
To see in the flesh – увидеть вживую
To hurt one's pride – задеть чью-то гордость
To have an inkling – намек, слабое подозрение
To pawn – закладывать, отдавать в залог
2) 1. Julia and Lord Tamerly got acquainted at a luncheon party. No, she wasn’t his mistress, though many people convinced that she was Charles Tamerley's mistress because of their close relationships.
2. She sat down and for a minute looked silently at the miniature. Timing it perfectly, she raised her eyes till they met Charles's. She could cry almost at will, it was one of her most telling accomplishments, and now without a sound, without a sob, the tears poured down her cheeks. With her mouth slightly open, with the look in her eyes of a child that has been deeply hurt and does not know why, the effect was unbearably pathetic. Then she just cried and nodded.
There is no doubt that it was only make-believe because she had already prepared her course of conduct for the declaration which she felt he would sooner or later bring himself to make.
3. She agreed to have tea with him because it was something new and interesting for her.It was Tom Fennel, but Julia did not know the name.

4. At first, his behavior was predictable for her, but then, he turned out to be an absolute different person, not shy at all.
5. He had seen her in every play she had acted in since he was twelve years old. He told her that
once when he was fourteen he had stood outside the stage door after a matinee and when she came out had asked her to sign her name in his autograph book.
6. She was extremely happy, it was a new adventure for her. Her eyes shone brightly and wonderfully. "I feel like a two-year-old.“
“Julia acted as though it was the first time. Her performance was brilliant. She got laughs that she had never got before. She always had magnetism, but on this occasion it seemed to flow over the house in a great radiance." She was 40 year old.
Your surrounding always reflects on you. She can’t refuse to Tom. She remembered her previous life and how happy she was. Her husband didn’t give her that passion and love that Tom gave. But she is older him and it is wrong to my mind to have an affair with him.

7.  The trains south were so crowded that she had not been able to get a sleeper. One man, Spaniard, offers her his place. She agreed. They had a conversation, but that man didn’t want to leave her. When they began to say goodbye, the man kissed Julie and they had an affair. She didn’t want to sleep with him. But his beard attracted her.
-"He can hardly expect me to ask him to come and sleep in here," Julia said to herself. "I'm beginning to think this was all a put-up job. Nothing doing, my lad." And then aloud. "Romantic, of course, but uncomfortable."   Her thoughts are right at first. She understands how she mustn’t act. But her actions are so different from her thoughts. She yielded to temptation.
-"If you think that because you've given up your compartment to me I'm going to let you sleep with me, you're mistaken."
"Just as you say, of course. But why not?"
"I'm not that sort of terribly attractive woman."
"What sort of woman are you then?"
"A faithful wife and a devoted mother."
He gave a little sigh.
"Very well. Then I'll say good night to you."  She quietly told about the man’s wish, she understood that many men wanted her. But she couldn’t think that she could sleep with a stranger.
"But as time passed Julia's indignation was mitigated, and she had often thought of the adventure since with a good deal of pleasure. After all it had been fun.”  She perceived all this as an adventure. As she didn’t make something terrible. On the one hand, she had the right because her husband didn’t give her passion. He loved only himself. On the other hand, she is married. She must save her condition. I think she was wrong. It isn’t proper to sleep with a stranger, especially she is married. Moreover, she thought bad about such women, but anyway slept with that man.

8. Tom called her and they agreed upon to meet in the theater

9. “But when she saw him, so slight, with his hectic flush and his blue eyes, so charmingly boyish, she felt a sudden pang.” He was about 18. As her son Roger was seventeen . “she  was old enough to be his mother.”

10. They were so bright, beautiful and famous. They can do everything. He wants to be like they.

11. I disapprove her actions. It is ridiculous to my mind at her age to meet with so young man.

3) “She was troubled. It seemed to her that her voice did not sound quite natural.("What the devil's the matter with me? God, I can hardly breathe.")”   Her interior monologue helps to see her emotional experience, how she is afraid of her feelings.
("I'm a fool. I'm a bloody fool.") the repetition of the word “fool” strengthen her fear to him.
“kissed him as passionately”
 “She could have taken him in her arms then and there and kissed his blue eyes. She adored him.”
She has contradictory feelings. Her mind and her soul think differently. When she is without Tom, she understands all her consequences, she thinks reasonably. But at his present her exciting and loving feelings to him win.
4) Oliver Goldsmith (10 November 1730 – 4 April 1774) was an Irish novelist, playwright and poet, who is best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773). He also wrote An History of the Earth and Animated Nature. He is thought to have written the classic children's tale The History of Little Goody Two-Shoes, the source of the phrase "goody two-shoes".
   Mlle Clairon-was a leading actress of the Comédie-Française who created many parts in the plays of Voltaire, Jean-François Marmontel, Bernard-Joseph Saurin, and others.She began her career as a soubrette but made her debut at the Comédie-Française in 1743 as Phèdre in the tragedy by Racine. She also portrayed Corneille’s heroines, who combined nobility of soul, pride, and intelligence. In 1753 Marmontel influenced her to simplify her declamatory style. Prompted by Diderot, she introduced touches of character and of ethnic realism into her roles.
  Madame de Pompadour was a mistress, friend and adviser to Louis XV, remained with the king up to her death in 1764. Introduced to the court through relatives, she was noticed by the king and quickly became one of his preferred mistresses. Louis XV had the Petit Trianon palace built for her, a haven of peace away from the court.
  Alfred Louis Charles de Musset-Pathay ; 11 December 1810 – 2 May 1857) was a French dramatist, poet, and novelist. Along with his poetry, he is known for writing La Confession d'un enfant du siècle (The Confession of a Child of the Century, autobiographical) from 1836.

5) "... like Venus rising from the waves” is an artistic allusion.It is related to the 1486 painting by Sandro Botticelli “The Birth of Venus”. It depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore (which is related to the Venus Anadyomene motif). It represents the birth of love.

6) The reader got to know about  Julia's  acquaintance with  Charles Tamerly,who was madly in love with her.She found him very polite and elegant man,he was her adviser and supporter. Some time later Thomas Fennel called Julia and invited her for a tea. His poor apartment reminded Julia the times when she was in the beginning of her carrier, the times of her youth... Suddenly the young man kissed her and she didn't resist. After this affair Julia was happy and her eyes were shining. During her trip she had another sexual affair with an unknown man. After the returning Julia and  Thomas Fennel went to an expensive restaurant, where Tom payed for them both. She noticed he had pawned his watch in order to take her out to supper. A lump came into her throat. She adored him. After that they drove back to his bed-sitting room in Tavistock Square.